Category: Blog

  • 2024 L7 Reviews of the L7 live Photography

    2024 L7 Reviews of the L7 live Photography

    Live Reviews (Europe 2024)

    L7 Europe 2024 Tour: A Big Thank You to Our Photographers

    Hey everyone,

    We’ve just wrapped up our whirlwind tour across Europe, and we are beyond grateful for the incredible support and energy from all of you! The memories from this tour are ones we will cherish forever, thanks in large part to the talented photographers who captured these moments so beautifully.

    We’ve collected some fantastic live reviews and photo sets from various parts of the internet, and we wanted to take a moment to express our heartfelt thanks to all the photographers who took such great photos of us. You guys rock!

    Live Reviews (Europe 2024):

    1. RockUrLife – Le Trianon, 18/06/24
      Thank you for the amazing review and photos!
      Merci pour les superbes photos !
    2. MondoSonoro – Azkena Rock Festival, 2024
      Your coverage of the festival was fantastic!
      ¡Gracias por las fotos increíbles!
    3. ThoriumMag – Photos by Lucie Sue
      Stunning shots that really captured the energy of the show.
      Merci pour les superbes photos !
    4. Muzikalia – Sala Mon Live, Madrid, 23/06/24
      Thank you for the detailed review and wonderful photos!
      ¡Gracias por las fotos increíbles!

    Fans, be sure to click on each link to view the full photo sets and immerse yourself in the incredible moments captured by these talented individuals. Their work not only documents our journey but also brings the essence of our live shows to life.

    Once again, thank you to all the photographers and reviewers for sharing your art and helping us connect with our fans in such a meaningful way.

    Stay tuned for more updates and keep rocking!

    Love,
    Jennifer Finch & L7

    https://www.mondosonoro.com/criticas/conciertos-musica/2024-azkena-rock-festival
    L7 live Photography Europe Tour

    L7 performing Le Bikini (Toulouse, France) Photographie : David Torres
    View photo set at Thorium Mag

  • 2024-06-30 Jennifer Finch, Brett Gurewitz, Keith Morris, Iris Berry, and Jerry Stahl readingS of Author John Albert

    2024-06-30 Jennifer Finch, Brett Gurewitz, Keith Morris, Iris Berry, and Jerry Stahl readingS of Author John Albert

    “What a thrill it was to have been at ground zero with John Albert, through the thicks and thins of two teenagers making their way through Los Angeles in the 1980s, partaking in the art and punk scenes, rebel-rousing in Otis art school dorms and riding that first wave of teenage opioid addiction and surviving. John led the way in understanding aesthetics beyond any typical Los Angeles experience. He saw stories everywhere. He was thoughtful and funny. He had a folded-up, worn, and torn paperback of Bukowski in his back pocket and a pen and notebook in the front. We would often get high and make out (although not with each other), and we were only arrested together once.”


    – Jennifer Finch

    All good stories start with, “We met in art school.”

    In 1981, I only wanted to get out of the LA Public school system and get into art school. Otis/Parsons in downtown LA had a summer school program targeted to potential high school-aged initiates and, for whatever reason, made an exception for my age, since I was only 14 and not the required 16. There, I met John Albert; he was in the painting program. Meeting someone (ANYONE) my age with the same taste in books and music was a revelation. John was well-versed in everything from Black Flag to Gil Scott-Heron and from Bukowski to Patti Smith. We quickly became close friends and merged our social circles—his from Pomona and mine from LA.

    John introduced me to a world of art and music that deeply influenced me. I took him to see Circle Jerks and Bad Religion, and he introduced me to Christian Death. Through him, I met significant figures like Ron Athey, The Speed Queens, and Eve O and discovered authors like John Fante. These experiences and connections played such a pivotal role in shaping my perspective on life and how to live a good life through art and music.



    LIVE EVENT – JUNE 30, 2024 4 – 7 PM

    JUNE 30, 2024 4 – 7 PM
    SOAP PLANT/WACKO

    4633 Hollywood Blvd, Los Angeles, CA 90027
    @soapplantwacko
    @punk.hostage.press

    PRESS RELEASE FROM PUNK HOSTAGE PRESS

    Iris Berry @irisberry.official — Punk Hostage Press
    A. Razor

    Punk Hostage Press is honored to announce the release of “Running With The Devil” by John Albert. This release is especially poignant, as John tragically passed away on May 3rd, 2023. This book is a testament to his legacy, a labor of love created through the collective efforts to ensure John’s voice endures in this collection of essays, articles, and remembrances. John Albert, one of Los Angeles’s finest writers, captured the essence of LA in a way only he could. The book was conceptualized and edited by Joe Donnelly, to whom we are incredibly grateful.

    A heartfelt thank you to:
    Ben Harper (@benharper) for his beautiful foreword,
    Jennifer Finch (@jenniferfinch) for the perfect cover photo
    Bad Idea Music (@badideamusic) for the stunning cover design.

    We also extend our gratitude to Brett Gurewitz (@brettgurewitz), Jerry Stahl (@somejerrystahl), Keith Morris (@doctorkeithmorris), and Laurie Ochoa (@laurie.ochoa) for their powerful blurbs. This project truly brought together a dream team.

    And most importantly, thank you to John Albert for his unforgettable words. Read, enjoy, and remember…✨📚✨

    John Albert Event ScHedule

    4 p.m. Doors
    5 p.m. Start SEATING
    5:15: Jesse says a few words and reads from Black Flag: Hong Kong Cafe.
    5:20: Keith Morris to read from Black Flag: Hong Kong Cafe.
    5:25: Jennifer Finch read from The Satori Underground: King Crimson
    5:30  Iris reads from Mickey Avalon.
    5:35 Brett reads from Running With the Devil: A Lifetime of Van Halen
    5:40: Justin
    5:45: Robert Sobul video of John Albert and Wrecking Crew
    5:50 Arty reads from Hardball
    5:55 Jerry reads from The Hep C Generation
    6:00 John Waldman
    6:05 Ben Harper


    “John Albert was one of the great unsung literary giants of Los Angeles. His LA was
    the one most people don’t see – the junkies, punks, outcasts, ex-cons, teen-age
    nihilists and all-around cross-the-street-when-you-see-them-coming skeeks… All of
    whom he imbued with humanity and heart and a voice that was 100 percent his and
    his alone. John was one of the funniest humans in the world, but his humor was so
    insanely dry, and so dark, some people didn’t know whether to laugh, cry, or run
    screaming into the night. John was a one-of-a-kind genius on the page. And a badass
    mensch of the highest order. Not a day goes by when I don’t miss him.”

    –Jerry Stahl, author of Nein, Nein, Nein!: One Man’s Tale of Depression,
    Psychic Torment, and a Bus Tour of the Holocaust, and I, Fatty

    “Let’s get in the Time Machine and go back a few years and put out the call to meet
    up in the dimly lit parking lot next to the venue. Someone should bring cigarettes, a
    handful of joints, pills and three or four 6-packs of some cheap chilled adult
    hangover inducing yellow liquid. We’ll joke and tell stories and start with JOHN
    ALBERT… “

    – Keith Morris, frontman for the Circle Jerks, OFF!, and Flag

    “Running with the Devil is a journey through the heart and soul of my beloved friend,
    John Albert, a man who found beauty in the bleak, humor in the tragic, and depth in
    the superficial. His pieces are more than reflections; they’re revelations that unpack,
    with cutting humor and fierce clarity, the essence of an era and the intricacies of
    human connections. In stories that span the evolution of punk to the depths of
    personal struggle, his writing reflects the nuanced soul of a city and its people. The
    collection will resonate with all who have contemplated the absurdity of existence
    or sought meaning in both the magnificent and the mundane.”

    –Brett Gurewitz, co-founder of Bad Religion, founder and CEO of Epitaph
    Records.

    “John Albert is the voice of a Southern California fever dream. Sifting through the
    absurd to find what is true about this land of misfits and visionaries, his stories speak
    to us with humor, rage and, ultimately, love.”

    –Laurie Ochoa, Los Angeles Times

  • 2024 Festivals-Thank you and Eskerrik Asko

    2024 Festivals-Thank you and Eskerrik Asko

    🎸🔥 What a ride! A huge THANK YOU to all our amazing L7 fans and friends who rocked out with us across Europe. From the chill vibes at #SidewaysFestival in Helsinki 🇫🇮 to the ⚡ electric ⚡ energy at #ElectricBallroom in Camden 🇬🇧 you are unforgettable. 2024 Festivals!
    What a pleasure to be in Paris #LeTrianon, followed by Toulouse at #LeBikinin 🇫🇷. The heat kept rising at #AzkenaRockFestival in Vitoria-Gasteiz, and our nights in Barcelona at #SalaWolf and Madrid at #MonLive on were explosive! 🇪🇸⁠

    We traveled by cars 🚗, buses 🚌, planes ✈️, and trains 🚆 to be with you, and every moment was worth the joy in your eyes. Until next time, keep rocking; stay loud. There is freedom in love, respect and tolerance.🤘💖⁠

    With gratitude, Kiitos, Tack, Giitu, Diolch, Merci, Eskerrik Asko, y Gracias⁠ – 2024 Festivals!

    @L7theband #L7 #L7Band #ThankYou #suzigardner #Donitasparks #deeplakas #jenniferfinch #L7theband #bigstage #livemusic #musicfestival #askena Event L7⁠ 2024 Festivals

    photo by @bkchworkz

  • L7 at No Values Festival and Jennifer Finch Photos

    L7 at No Values Festival and Jennifer Finch Photos

    Hello All!

    In conjunction with the NO VALUES Festival, I have created a limited edition (50) photozine of 10 images of bands that I photographed at the festival. Below is the text printed in the ‘zine and the images I chose.

    The fanzine will be available for $25 at the Punk Rock and Paintbrushes booth. @punkrockandpaintbrushes


    “No Values”



    “NO VALUES: Select Images From the Collection of JENNIFER FINCH

    My name is Jennifer Finch, and before I joined the band L7 in 1986. I was bopping around the Southern California punk, art, and queer scenes, with photography and image capture being my passion. It is without any loss of immense honor that I recognize the incredible rarity and significance of many of us being together (including you, dearest reader) to play the No Values festival. With that in mind, I want to pull together some images from my archives in tribute to these musicians and the moments that we shared.

    The photographs within these pages capture seminal performances from bands that have not only defined the punk genre but have also continued to influence music and culture for decades. My work features icons like Black Flag, Social Distortion, Bad Religion, The Vandals, The Damned, Suicidal Tendencies, L7, Adolescents, Sublime, Dead Kennedys, and many more.

    These images reflect back to a moment in time when these artists were breaking ground and radiating raw, unbridled energy that was just beginning to coalesce. This potent energy, much like the initial spark in a chain reaction, would fuel an explosive movement. Reverberating through time and shaping, weaving and tearing at the very fabric culture.

    However, as a photographer, I am conflicted about sharing these works. Particularly when it is in the context of how these artists show up in the present. The passage of time brings about inevitable comparisons between our younger selves and our current incarnations. Moreover, these photographs, taken in the intensity of their formative years, starkly contrast with their present-day personas and performances. This dichotomy raises compelling questions about authenticity, evolution, and the preservation of punk’s raw ethos.

    Additionally, these images, we must also consider broader issues in media and cultural production. How does the documentation of a subculture affect its narrative? Does preserving these raw, youthful moments overshadow or diminish the value of the artists’ evolution and maturity? Furthermore, the intersection of nostalgia and commercialism within punk rock poses a paradox. Can punk remain a rebellion to capitalistist dominance when it is so heavily archived and commodified?

    This fanzine not only pays homage to the indelible impact these bands have had on the punk scene but also invites reflection on the complexities of growth, change, and the enduring power of music to transcend generations. However, as you flip through these pages, may you feel that energy of the past and appreciate the journey of punk rock from its messy roots to its influential present.

    It blows me away that I will be sharing the stage today with so many of those I grew up with and photographed. It is almost unbelievable and it is my hope if you picked up this work at the No Values festival

    you, too, had a killer day basking
    in the weird, strange world
    we all live in together.

    Enjoy.
    Jennifer Finch

    In Love and GratitudeGOLDENVOICE, Paul Tollett, Gary Tovar and Rick Van Santen (in spirit and love). Punkrock and Paintbrushes, Emily Nielsen.

    SPECIAL THANKS TO: Jack C Gregory, Matt Hutchinson
    Dee Plakas, Suzi Gardner and Donita Sparks